* Corporal preparation of actors for O Beijo da Louca, by Doc Comparato. Directed by Cecil Thiré. Teatro Villa-Lobos, Rio de Janeiro (1981).

* Choreographer for O Embarque de Noé by Maria Clara Machado. Directed by Toninho Lopes. Teatro Pequena Cruzada, Rio de Janeiro (1982).

* Corporal preparation of  Norma Berguell, for the role of Isadora Duncan, in the play by Aguinaldo Silva, Isadora, and Oswald. Directed by Norma Benguell. Teatro Glauce Roche, Rio de Janeiro (1984).

* Choreography for As Bruxas Estão Soltas, by Ísis Baião, at Espaço Petit Studio- Rio de Janeiro (1984).

* Choreography and corporal preparation of the actors for  O Ovo de Colombo, children's musical. Directed by Marcelo de Barreto. Teatro Benjamin Constant-  Rio de Janeiro (1986). Recognized with a prize as one of the five best children's theater performances of 1986 (Prêmio Minc-Inacen).

* Choreographer of A Estrela D'Alva, musical by Renato Borghi and João Eliseo da Fonseca. Directed by Roberto Talma. Teatro João Caetano, Rio de Janeiro (1987)

* Choreography of Sonhatos de Monteiro, um sonho de Lobato, children's musical. Written and directed by Marcelo Barreto. Teatro Benjamin Constant- Rio de Janeiro (1987). Prized as one of the best children's theater performances of 1987. (Prêmio Minc-Inacen).

* Supervision of the gestual composition of the actors in João and Maria, theatrical work for children. Adapted by Ana Maria Nunes, based on the version of the traditional story collected and published by the Grimm Brothers and on the (libretto da ópera) of Hansel and Gretel, by Engelbert Humperdinck. Directed by Eduardo Wsotski. Produced by the Grupo TAPA. Teatro da Casa de Cultura Laura Alvim, in Rio de Janeiro (1987-1988). Prized as one of the best five performances of children's theater of 1987 (Prêmio Minc-Inacen).

* Choreography of Eu te amo, theatrical text by Arnaldo Jabor. Directed by Arnaldo Jabor. Teatro Arena- Rio de Janeiro (1988)

* Gestual composition and choreography for Perversidade Sexual em Chicago screenplay  by David Mamet. Directed by José Wilker. Teatro Arena  (1989)

* Choreography for 1789, screenplay by Ariane Mnochkine. Directed by Carlos Wilson. Fundição Progresso-Rio de Janeiro. (1989)

* Choreography for Eduardo II by Cristopher Marlowe. Directed by Moacur Goes. Teatro Glória (1994).